Headset and lapel microphone in national and international Musical Theatre

Interview with Gabriel Bocutti

Authors

DOI:

https://doi.org/10.26512/vozcen.v5i02.56138

Keywords:

Headset Microphone, Lapel Microphone, Musical Theatre, Sound Technician, Sound Check, Market

Abstract

This interview aims to present technical and aesthetic aspects of the use of headset and lavalier microphones in Musical Theatre in the national and international market. And also highlight the processes and behavioral demands that involve the use of equipment, which are of paramount importance for the precision of the Musical Theatre Artist's performance. The Interviewee is Gabriel Bocutti sound designer and audio programmer, who throughout his career has acquired experience with Musical Theatre, Broadway shows, international shows, and music and dance festivals.

Author Biographies

  • Júlia Barcelos, Universidade de Brasília - UnB, Brasília/DF, Brasil

    Artista de Teatro Musical em formação; discente do curso de bacharelado em Interpretação Teatral na Universidade de Brasília; Participante do Grupo de Pesquisa Vocalidade e Cena (CNPq).

  • César Lignelli, Universidade de Brasília - UnB, Brasília/DF, Brasil

    Associate Professor of Voice and Performance at the Performing Arts Department (CEN) and the Postgraduate Programs in Art (PPG-Arte) and Postgraduate Programs in Performing Arts (PPG-CEN) at the University of Brasília. Post-Doctorate by the Advanced Program of Contemporary Culture at the Federal University of Rio de Janeiro (2014 - 2015). He holds a PhD in Education and Communication, FE / Universidade de Brasília (2011); Master in Art and Technology in the research line Compositional Processes for the Scene, IDA / UnB (2007); Graduated in Performing Arts at the Federal University of the State of Rio de Janeiro (2000). Leader of the Vocalidade & Cena Research Group (CNPq since 2003). Editor of the Journal Voz e Cena. Member of the VASTA Voice and Speech Trainers Association (since 2016). Author of the book Sons e (m) Cenas (2014 and 2019 - second edition), co-organizer of the book Práticas, Poéticas e Reverios Vocales (2019) and numerous articles published in qualified journals. Researches and guides themes involving sounds, aesthetics and pedagogies. Spoken and sung word. Glossolalias.Vocalities and education. Vocalities and movement. Vocalities and technologies. Vocalities and culture. Sound. Scene music. Scenic music. He regularly develops aesthetic productions in partnership with the theater groups Desvio, Sutil Ato, alaOca, Teatro do Concreto and Trupe dos Argonautas. Since 2017, together with Grupo Desvio, he has traveled with DeBanda through Brazil, Singapore, Argentina, Uruguay, Paraguay, Chile and Peru.

References

BARCELOS, Júlia; LIGNELLI, César. Relações entre o uso do microfone de bastão e a precisão da voz cantada do Artista de Teatro Musical em formação. Voz e Cena, [S. l.], v. 4, n. 02, p. 154–173, 2023. DOI: 10.26512/vozcen.v4i02.51280. Disponível em: https://periodicos.unb.br/index.php/vozecena/article/view/51280. Acesso em: 15 nov. 2024.

BOCUTTI, Gabriel. Portifólio. 2023. Disponível em: https://www.gabrielbocutti.com/about?lang=pt. Acesso em 07 dez. 2024.

v. 05, n.º 02: Dossiês Temáticos "Práticas e Poéticas Vocais" e "Somática da Voz 2" - Voz e Cena (jul-dez/2024)

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Published

2024-12-30

Issue

Vol. 5 No. 02: Voz e Cena (jul-dez/2024)

Section

Interviews

Categories

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Copyright (c) 2024 Voz e Cena (Voice and Scene)

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How to Cite

Headset and lapel microphone in national and international Musical Theatre: Interview with Gabriel Bocutti. (2024). Voz E Cena (Voice and Scene), 5(02), 362-378. https://doi.org/10.26512/vozcen.v5i02.56138

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