I touch-I breathe-I move-I voice-I speak

Somatic logos toward social care

Authors

DOI:

https://doi.org/10.26512/vozcen.v5i02.56144

Keywords:

Somatic Practices, Somatic Logos, Social Care, Inter-embodiment, Practice-as-Research

Abstract

This article advances the author’s concept of somatic logos as an inter-embodied praxical framework that facilitates interrelations between individual and collective voices. It draws from  her Practice-as-Research (PaR) project From Haptic Deprivation to Haptic Possibilities and uses the project’s Are We Still in Touch? group workshops as a case study. The workshops investigate how self-directed touch (initiated and managed by oneself) can support one’s sense of care, wellbeing, and creative expression amidst societal shifts catalyzed by the pandemic. Research findings suggest that somatic listening  to the self extends to an inter-embodied sense of care with potentials for broader societal impact.

Author Biographies

  • Christina Kapadocha, East 15 Acting School, University of Essex – Loughton, United Kingdom

    Pesquisadora PhD, artista de teatro e praticante somática radicada em Londres; é Educadora do Movimento Somático Registrada na ISMETA e fundadora do Somatic Acting Process®. É graduada na primeira turma de interpretação teatral do Greek National Theatre (GNT) (2008) e Mestra pela East 15 Acting School (2011). Trabalha como atriz e diretora de movimento na Grécia e no Reino Unido desde 2007, tendo realizado um doutorado com bolsa integral na Royal Central School of Speech and Drama (RCSSD) em 2016. Atualmente, é professora na East 15 Acting School, Universidade de Essex. Organizou o livro Somatic Voices in Performance Research and Beyond (2021) e é editora associada da revista Theatre, Dance and Performance Training.

  • Diego Pizarro, Instituto Federal de Brasília - IFB, Brasília/DF, Brasil

    Artista da dança e do teatro. Professor efetivo da Área de Dança do Instituto Federal de Educação, Ciência e Tecnologia de Brasília (IFB), desde 2010, onde coordena o grupo de pesquisa CEDA-SI – Coletivo de Estudos em Dança, Somática e Improvisação. Realizou pesquisa pós-doutoral (2022-2023) sobre Somática da Voz na Universidade de Brasília, bolsista CAPES/BRASIL. É professor permanente do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal da Bahia (PPGAC/UFBA), desde 2022, onde também finalizou o Doutorado (2020), com período sanduíche na University of North Carolina at Greensboro (UNCG, 2019), supervisionado pela Dra. Jill Green. Recebeu o Prêmio Capes de Tese 2021 na área de Artes, com o trabalho Anatomia Corpoética em (de)composições: três corpus de práxis somática em dança. É professor certificado em Body-Mind CenteringSM e outras aventuras somáticas.

References

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Published

2024-12-30

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How to Cite

I touch-I breathe-I move-I voice-I speak: Somatic logos toward social care. (2024). Voz E Cena (Voice and Scene), 5(02), 318-336. https://doi.org/10.26512/vozcen.v5i02.56144

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