On Voice Movement Integration (VMI) practice

awakening resonance in the moving body

Authors

DOI:

https://doi.org/10.26512/vozcen.v5i01.54579

Keywords:

Vocal Dance, Somatic Movement, Vocal embodiment, Vocal-physical presence, Body-Mind Centering

Abstract

This is a translation into Portuguese language of the interview carried out by Christina Kapadocha with Patricia Bardi on her research on Somatics of Voice in Performance. The focus is to understand how Bardi defines her vocal-physical work as expression of the somatic movement. The artist and somatic practitioner informs about her work tools based on the embodiment of organs with movement and vocalization, in addition to delimiting the dimensions that complete the training she offers in her four-year program, combining what she calls Vocal Dance, Voice Movement Integration (VMI) and Vital Movement Integration Bodywork (VMIB).

Author Biographies

  • Christina Kapadocha, East 15 Acting School, University of Essex-Loughton, Reino Unido

    Pesquisadora PhD, artista de teatro e praticante somática radicada em Londres; é Educadora do Movimento Somático Registrada na ISMETA e fundadora do Somatic Acting Process®. É graduada na primeira turma de interpretação teatral do Greek National Theatre(GNT) (2008) e Mestra pela East 15 Acting School(2011). Trabalha como atriz e diretora de movimento na Grécia e no Reino Unido desde 2007, tendo realizado um doutorado com bolsa integral na Royal Central School of Speech and Drama (RCSSD) em 2016. Atualmente, é professora na East15 Acting School, Universidade de Essex. Organizou o livro Somatic Voices in Performance Research and Beyond(2021) e é editora associada da revista Theatre, Dance and Performance Training.

  • Patricia Bardi, Amsterdã, Países Baixos

    Fundadora/diretora do Programa de Certificação de Prática Somática VMI que combina Dança Vocal, Integração Voz-Movimento e Trabalho Corporal de Integração do Movimento Vital, em Amsterdã -um programa credenciado em educação do movimento somático e prática de saúde natural. Bardi realizou diversas turnês, ensinando e atuando em festivais internacionais, universidades e escolas de teatro em toda a Europa, América do Norte e Ásia. Recebeu o London Arts Choreographer Awarde criou o Organ Rebalancing, um treinamento corporal avançado credenciado. É membra fundadora da School for Body-Mind CenteringSM(EUA) e do Chisenhale Dance Space, de Londres, além de ser registrada como Terapeuta doMovimento Somática pela ISMETA.

  • Diego Pizarro, Instituto Federal de Brasília - IFB, Brasília/DF, Brasil

    Diego Pizarro is a performing artist, and professor of Dance at the Federal Institute of Education, Science and Technology of Brasília (IFB), since 2010, where he coordinates the research group CEDA-SI - Collective of Studies in Dance, Somatics and Improvisation. He completed a post-doctoral internship (2022-2023) on Somatics of Voice at the University of Brasília, with a CAPES/BRAZIL scholarship. He has been a permanent professor in the Postgraduate Program in Performing Arts at the Federal University of Bahia (PPGAC/UFBA), since 2022, where he also completed his PhD (2020), with a internship period at the University of North Carolina at Greensboro (UNCG, 2019) , supervised by Dr. Jill Green. He received the 2021 Capes Thesis Prize in the area of ​​Arts, with the work Anatomia Corpoética in (de) compositions: three corpus of somatic praxis in dance. He is a certified teacher of Body-Mind CenteringSM and other somatic adventures.

References

BARDI, P. Organ work video. 2018b. 1 vídeo (5:06). Publicado pelo website Routledge Voice Studies. Disponível em: https://routledgetextbooks.com/textbooks/routledgevoicestudies/somatic_voices.php. Accessed in: 23 jun. 2024.

BARDI, P. Vocal Dance video. 2018c. 1 vídeo (3:31). Publicado pelo website Routledge Voice Studies. Disponível em: https://routledgetextbooks.com/textbooks/routledgevoicestudies/somatic_voices.php. Accessed in: 23 jun. 2024.

BARDI, P. Workshop on Voice Movement Integration (VMI) [workshop]. East 15 Acting School-London, 17 de novembro de 2018a.

CIXOUS, H.; CLÉMENT, C. The Newly Born Woman. Tradução de Betsy Wing. Mineapolis: University of Minnesota Press, 1986.

GRANT, Sam. Social Somatics. 2023. 1 vídeo. Publicado pelo website Somatic Movement Summit. Disponível em: https://somaticmovementsummit.com/program/55070. Acesso em: 02 maio 2024.

HUSSEIN, N. (org.). Rethinking New Womanhood: Practices of Gender, Class, Culture and Religion in South Asia. Cham, Switzerland: Palgrave Macmillan, 2018.

KAPADOCHA, C. (org.). Somatic Voices in Performance Research and Beyond. Abingdon, Oxon: Routledge, 2021.

KRISTEVA, J. Revolution in Poetic Language. Tradução de Margaret Waller. New York: Columbia University Press, 1984.

PHIPPS, A. The Politics of the Body: Gender in a Neoliberal and Neoconservative Age. Cambridge: Polity Press, 2014.

THREADCRAFT, S. Intimate Justice: The Black Female Body and the Body Politic. New York: Oxford University Press, 2016.

Voz e Cena - volume 05 número 01 - janeiro a junho de 2024

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Published

2024-07-31

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Vol. 5 No. 01: Voz e Cena (jan-jun/2024)

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How to Cite

On Voice Movement Integration (VMI) practice: awakening resonance in the moving body. (2024). Voz E Cena (Voice and Scene), 5(01), 207-222. https://doi.org/10.26512/vozcen.v5i01.54579

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