Vol. 1 No. 37 (2020): Dossiê História & Cinema

Editorial

• Editorial

  Artur Nogueira Santos e Costa

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• Apresentação do Dossiê História & Cinema

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• The Coloniality and Emancipation in the movie Emitai of Sembène Ousmane (Senegal, 1970’s)

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• Representations of the African Continent on Hollywood Cinema Screens

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• ...Gone With the Wind cinema, racism and silencing about the slavery abolition in the United States Civil War

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• Colonialism as a laboratory “The Battle of Algiers” and torture as a political control Project

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• The Afro-American Movement and the battles for memory a look from The Boondokcs

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• Cinema, history and education racism and history teaching in Assault on the pay train

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• The film Quilombo another black story.

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• The movie out of the closet Lesbian Cinema based on the work of Adelia Sampaio

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• “I'm here making a movie” ethnic-racial relations and struggles for memory in Osvaldão (2014)

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• Hoje (2011) e Trago Comigo (2016) images of the strange alterity of the past

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• Cinema in the military dictatorship an analysis of the film The nun and torture (1984)

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• What can cinema do? History and politics in Cabra marcado para morrer (1984) by Eduardo Coutinho

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• The documentary Dzi Croquettes (2009) and the construction of the marginal memory, the underground and the oblivion about the counterculture in the civil-military dictatorship in Brazil

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• Newsreels in historical perspective trajectory and political uses in Brazil

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• Discipline and order on the screens of Cine Jornal Brasileiro the “partners” in power during Estado Novo's regime

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• Persecuted by the Nation, exalted by cinema Communism in The May Revolution

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• Cinema and urban memory Estrutural documentary and narratives about the consolidation of Cidade Estrutural ”“ DF

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• Enunciating Counter-Hegemony Candanga's Narratives of "Romance do Vaqueiro Voador"

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• Body-City an analysis of the film “Um Crime Na Rua” by Olney São Paulo

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• Utopia and destruction, ruin and progress the social marginalized condition in the movie A Margem (1967), by Ozualdo Candeias

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• The prince and the poet the Russian and Transcaucase past through the lens of Sergei Eisenstein and Parajanov

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• Filming is listening history, memory, and alterity in the documentary Santo forte (1999)

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• The Cinema-History relationship theoretical and methodological foundations

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• Image, montage and history on Videograms of a Revolution by Harun Farocki and Andrei Ujică

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• History, sertão and becoming-sensitive in Cinema aspirins and vultures

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• Arid Movies the encounter between Pierre Sorlin’s Methodology and the autochtonous northeastern hinterland films

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• The absurd minimalism in the animation Death and Life of a Severino by Afonso Serpa

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• Jazz as a Catalysis Element in Greek Tragedy, according to Friedrich Nietzsche, in the movie Crisis (1945) by Ingmar Bergman

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• The Ancient Music as a narrative element in cinema an analysis of the Greek chorus in Electra (1962) and Disney’s Hercules (1997)

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• Pink Floyd - The Wall a dystopia of self-isolation in the 1982 feature film

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• Movie’s operation in the History teachers training an experience in UEPG (2016-2018)

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• Public history and historical culture in contemporary audiovisual production

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• Oscar Wilde Goes to the Movies The framing of the dandy’s image in ‘Wilde’ (1997) and ‘Velvet Goldmine’ (1998)

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• “A vacuum built on a void” East German cinema and the generational conflict over the past

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• Honorable or infernal struggle? World War II from the films Tankers (2018) and Once More Unto the Breach (2019)

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• Conservatism in the Cinema of the 1980s analysis of the Film “Excalibur, the Sword of Power”

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• Mary Magdalene in the cinema the biblical epic films and the biopic of 2018

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• Anarchism, conciliation and conflict in La Patagonia Rebelde (1974)

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• The fetish of digital techno-productivity by Ken Loach the labour uberization in the film Sorry we missed you

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• The "historiographical turn" in film studies disruptions and continuities

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• Before and beyond screens economy and cinematographic market in Latin American countries

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• Glauber Rocha and the relative autonomy of the artistic field the case of the documentary “Amazonas, Amazonas” (1966)

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Interview

• The dive of the other against homophobia and transphobia, an interview with Émerson Maranhão

  Carlos Renato Araujo Freire, Francisco das Chagas Fernandes Santiago Júnior

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Research Notes

• Violence as spectacle an analysis of the relation between mass media, justice and violence on Black Mirror

  Marianne Lopes Braga Batista

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Articles

• The “Haitianist” accusations in the racialized brazilian society of the first half of the Nineteenth

  Luã Pedro Rocha Carvalho

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• The trajectory of the Brazilian Labor Party in Bahia first readings

  Hebert Santos Oliveira

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