Espelhos que congelam a imagem
DOI:
https://doi.org/10.26512/museologia.v6i11.17745Keywords:
Social role of photography, Photographer, Mirror, Dematerialization of photography, ArchivesAbstract
Through direct testimony, the personal memory and the recurrence of other memories preserved, the author notes the particular contours of colonial photography in a photographer of Angola-1940-1976, Francisco júnior "Quitos" and his life in the city of Lobito. Technical and theoretical inferences over most known conceptual frameworks are also tested in the way those have connected Visual Anthropology and Sociology to photography.
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