Vozes femininas na novíssima narrativa brasileira

Authors

  • Regina Dalcastagnè

Abstract

Vozes femininas na novíssima narrativa brasileira

Author Biography

  • Regina Dalcastagnè

    Professora de Literatura Brasileura / UnB

References

CAMPOS, Gisela. As idéias todas. Rio de Janeiro: Record, 2000.

FLORENCE, Stella. Por que os homens não cortam as unhas dos pés?. Rio de Janeiro: Rocco, 2000.

GONÇALVES, Pólita. Pérolas no decote. Rio de Janeiro: Sette Letras, 1998.

JESUS, Carolina Maria de. Quarto de despejo. 10a ed. Rio de Janeiro: Francisco Alves, 1983.

LAGE, Claudia. A pequena morte e outras naturezas. Rio de Janeiro: Record, 2000.

MELO, Patrícia. Inferno. São Paulo: Companhia das Letras, 2000.

SEIXAS, Heloisa. Pente de vênus e novas histórias do amor assombrado. Rio de Janeiro: Record, 2000.

VERSIANI, Daniela Beccaccia. A matemática da formiga. Rio de Janeiro: Sette Letras, 1999.

YOUNG, Fernanda. As pessoas dos livros. Rio de Janeiro: Objetiva, 2000.

WOOLF, Virgina. A room of one’s own. Reed. London: Penguin, 1945.

Downloads

Published

2011-01-25

Issue

No. 11 (2000): Rumos da narrativa contemporânea

Section

Free Theme Section

License

Authors who publish in this journal agree to the following terms:

a) The authors maintain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution License-Non Commercial 4.0 which allows the sharing of the work with acknowledgment of the authorship of the work and publication this journal.

b) Authors are authorized to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with authorship recognition and publication in this journal.

c) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes, as well as increase the impact and citation of published work (See The Effect of Free Access).

d) The authors of the approved works authorize the magazine to, after publication, transfer its content for reproduction in content crawlers, virtual libraries and the like.

e) The authors assume that the texts submitted to the publication are of their original creation, being fully responsible for their content in the event of possible opposition by third parties.