The unsuspected violence of the class society in the process of enunciation in Passageiro do fim do dia
DOI:
https://doi.org/10.1590/10.1590/2316-40185510Abstract
In Passageiro do fim do dia, the way in which the process is established between subject of the enunciate and subject of enunciation highlights the strategies that are used to apprehend the objective data of the "real", whose inapreensibility becomes, in the invoice from the novel by Rubens Figueiredo, an index that stitches together materialities and subtle meanings, concretions and symbologies for the unveiling of the logic of violence and how they become everyday, banal and necessary to the reproduction of a way of living, to relate and to feel imposed by the dynamics of class society.
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