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MIMESIS IN ANTIQUITY

Authors

  • CAROLINA BORGES Urbanismo da Universidade Católica de Brasília

DOI:

https://doi.org/10.18830/issn2238-362X.v13.n1.2023.03

Keywords:

Mimesis, Beautiful, Antiquity, Symmetry, Eurrhythmia.

Abstract

Antiquity has nature as a reference for the beautiful and art was created from mimesis. Nature could be copied both in its literal form and in its genesis. For this, there were postulates that structured the works from the geometry, proportion and consonance between the parts, which Vitruvius will call symmetry. Subsequently, the ancients came to value a more intuitive and less calculated beauty, marked by eurrhythmia. This has elements that express properly human characteristics, generating a relationship of identification and recognition with the receiver.

Author Biography

  • CAROLINA BORGES, Urbanismo da Universidade Católica de Brasília

    Carolina Borges possui graduação em Arquitetura e Urbanismo pela PUC-GO, mestrado e doutorado na linha de Teoria e História da Arquitetura e Urbanismo pela FAU-UnB, com interstício na Università degli Studi di Palermo. É professora no curso de Arquitetura e Urbanismo da Universidade Católica de Brasília, ministrando as disciplinas de Teoria e História da Arte, Arquitetura e do Urbanismo e Projeto Arquitetônico.

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Published

2023-07-06

Versions

Issue

Vol. 13 No. 1 (2023): Resistência

Section

Artigos

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

How to Cite

MIMESIS IN ANTIQUITY. (2023). Revista Estética E Semiótica- RES, Aesthetics and Semiotics Magazine, 13(1), 33-41. https://doi.org/10.18830/issn2238-362X.v13.n1.2023.03

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