A Consciência do Som
DOI:
https://doi.org/10.26512/dramaturgias.v0i5.8104Keywords:
Theatre, Integrated Information Theory, Consciousness, Sound, Settings.Abstract
Tragedy, Aristotle wrote in the Poetics, exists even without performance or actors. It is therefore implicit in the written text that cast it to posterity. Is it alive then? Or does it become alive as it is performed? How? What does it mean exactly to breath life into a text? Can a theatrical text have a soul? Or is tragedy something else altogether? Can a theatrical performance have consciousness? Tononi’s Integrated Information Theory is a tool, developed in the course of brain studies, that can help shed light on these questions.
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