On the musical composition Marsias against Apolo
DOI:
https://doi.org/10.26512/dramaturgias15.35752Keywords:
Musical Composition, Greek Mythology, Musical Analysis, MythAbstract
This paper aims to expose and analyze the mythological context of the musical composition Marsias against Apollo, for solo flute, in its relationship with the techniques and musical elements used in the composition. Thus, we will try to expose first the Greek myth that involves the heart of the composition, then the relationship of this myth with the most essential musical elements, and, finally, how these elements were then developed.
References
LACERDA, Marcos. “Resenha das contribuições de Schenker e Schoenberg para a análise musical”. In: Revista eletroÌ‚nica de Musicologia. UFPR. Vol. 2.1. Outubro, 1997. Link: http://www.rem.ufpr.br/_REM/REMv2.1/vol2.1/BreveResenha/BreveResenha.html
SMITH, William. “A Dictionary of Greek and Roman biography and mythology”. In: John Murray: printed by Spottiswoode and Co., New-Street Square and Parliament Street, London. 1873. Link: http://www.perseus.tufts.edu/hopper/ text?doc=Perseus:text:1999.04.0104:entry=marsyas-bio-1
WAGNER, Richard. Ópera y Drama. Trad. Angel Fernando Mayo. Madrid: Ediciones Akal, 2013.
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