Conversation with Jorge Parente about vocal warm-up in scenic work

Authors

Keywords:

Vocal technique, Vocal practice, Vocal studies, Vocal warm-up, Voice and Scene

Abstract

This text is a transcription of an interview conducted by the author with the teacher and artist Jorge Parente about voice, scenic work, and vocal warm-up. The topics relate to his work proposal and how he reflects on the voice and the body in the Performing Arts, as well as people’s discovery of their voices.

Author Biography

  • Eugênio Tadeu Pereira, Universidade Federal de Minas Gerais - UFMG, Belo Horizonte/MG, Brasil

    Professor da EBA-UFMG nas áreas de Estudos Vocais e Musicais e da Licenciatura da graduação em Teatro e no Prof-Artes; integrante do Serelepe, da ABRACE, do MOCILYC e do MOVMI. Mestre em Educação (FaE-UFMG), Doutor em Artes Cênicas (ECA-USP) e Pós-Doutor pela UMINHO-Portugal.

References

CAMPO, Giuliano; OLESZKO-MOLIK, Ewa. Trabalho de corpo e voz de Zygmunt Molik: o legado de Jerzy Grotowski. Tradução de Julia Barros. São Paulo: Realizações Editora, 2012.

FINARDI, Angela Emília. O centro de energia de base do corpo na preparação vocal do performer. Florianópolis: Udesc, 2014 (Dissertação).

HANH, Thich Nhât. Para viver em paz. O milagre da mente aberta. 26ª Ed. Tradução do inglês de Odette Lara. Petrópolis: Vozes, 2008.

PEREIRA, Eugênio Tadeu. Aquecimento vocal na prática cênica: múltiplas vozes. Rio de Janeiro: Synergia, 2019.

STEIN, Moira Albornoz. O nomadismo e a palavra um percurso performativo pelas práticas de Jorge Parente, Panthéâtre e Amok Teatro. Tese Doutorado. Florianópolis: Ceart-Udesc, 2020.

Voz e Cena - volume 02 número 01 - janeiro a junho de 2021

Downloads

Published

2021-06-25

Issue

Vol. 2 No. 01: Voz e Cena (jan-jun/2021)

Section

Interviews

Categories

License

Copyright (c) 2021 Voz e Cena (Voice and Scene)

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Readers are free to download, print and use the articles published in the journal, as long as there is always explicit mention to the authors and to the Voz e Cena journal and that there is no change in the original work. Any other use of the texts must be approved by the authors and the journal. By submitting a paper to Voz e Cena journal and having it approved, the authors agree to assign, without remuneration, the rights of first publication and the permission for the journal to redistribute that article and its metadata to the indexing and reference services that its publishers deem appropriate.

This work is licensed under a Creative Commons Attribution 4.0 International License.
Licença Creative Commons

How to Cite

Conversation with Jorge Parente about vocal warm-up in scenic work. (2021). Voz E Cena (Voice and Scene), 2(01), 216-225. https://periodicostestes.bce.unb.br/index.php/vozecena/article/view/36849

Similar Articles

1-10 of 57

You may also start an advanced similarity search for this article.

Most read articles by the same author(s)