Polyphonic staging
the exercise of polyphony as the foundation of the creative process in Theater
DOI:
https://doi.org/10.26512/vozcen.v3i02.45589Keywords:
Theatre, Polyphony concept, Polyphonic staging, Discursive instances, Creative ProcessAbstract
First, the author presents his understanding of Theatre which he considers an art of polyphonic nature. In such sense, Theatre is the result of the equipollent simultaneity of four discursive instances: image, word, movement and sound. He, then, points out some inconsistencies between this simultaneity nature and the creative processes he participated in. He also highlights not only the greater appreciation of some of these instances but also of the voice of the director during the assembly of a play. Thus, he presents a proposal of polyphonic staging based on his concept of polyphony and organized into eight moments whose principles and procedures the author will describe and analyze in the course of the presentation.
References
MALETTA, Ernani. Atuação polifônica: princípios e práticas. Belo Horizonte: Editora UFMG, 2016.
PAVIS, Patrice. Dicionário de teatro. São Paulo: Perspectiva, 1999.
Downloads
Published
Issue
Section
Categories
License
Copyright (c) 2022 Voz e Cena (Voice and Scene)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Readers are free to download, print and use the articles published in the journal, as long as there is always explicit mention to the authors and to the Voz e Cena journal and that there is no change in the original work. Any other use of the texts must be approved by the authors and the journal. By submitting a paper to Voz e Cena journal and having it approved, the authors agree to assign, without remuneration, the rights of first publication and the permission for the journal to redistribute that article and its metadata to the indexing and reference services that its publishers deem appropriate.
This work is licensed under a Creative Commons Attribution 4.0 International License.
7.PNG)
