A Reencarnação do Cinema:

Invenção e Reinvenção no Reúso Cinematográfico de Vídeos do YouTube

Abstract

Significant landmark of our contemporaneity, a new cinema emerges from the collection of what the cyber cultural industry generates and treats as “garbage”: millions, perhaps billions of videos produced – unpretentiously or not – by millions of people around the world, living in with the image of their bodies the incorporation of the digital universe. Sketching an invitation to reflection, in the limited space of a text of this nature, it is this cinematographic production that this article deals with, seeking to understand it in its philosophical, cultural, political and aesthetic implications.