A Prática Porosa do Desenho: Sistema, Serialidade e a Marca Feita à Mão na Arte Conceitual e Minimalista

Authors

  • Teresa Cristina Jardim de Santa Cruz Oliveira Universidade de Brasília
  • Meredith Malone

DOI:

https://doi.org/10.26512/vis.v18i2.29241

Keywords:

Drawing, System, Seriality, Minimal and Conceptual Art

Abstract

The essay reflects on some of the drawings in the exhibition: Notations: Contemporary Drawing as Idea and Process (2012), which selected American artists associated with Minimalist, Post-Minimalist and Conceptual art, and some of the subsequent generations. The author brings the issues of drawing as sketch and as an artwork in the serial, procedural and systematic drawing practices of the period.

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Published

2020-01-19

Issue

Vol. 18 No. 2 (2019): Imagem e Utopia

Section

Tradução

How to Cite

A Prática Porosa do Desenho: Sistema, Serialidade e a Marca Feita à Mão na Arte Conceitual e Minimalista. (2020). Revista VIS: Revista Do Programa De Pós-Graduação Em Artes Visuais, 18(2), 247-276. https://doi.org/10.26512/vis.v18i2.29241