I Hair You

creative acts as a way of communication

Authors

  • Yoriko Gillard University of British Columbia, Capilano University

DOI:

https://doi.org/10.26512/vis.v16i2.20660

Keywords:

A/r/tography. Arts-based research. Iterdisciplinary research. performance. poetry.

Abstract

“Your life is art itself…” these words helped me believe that art is necessary to unfold and communicate with others in my life. I thought that what I do and think were not important for academy but for healing myself. Art was always an outlet for me to express my inner feelings and communicate with other people. Whether people liked my work or not were not the most important thing but to be truthful to myself through the act of creation was. My MA supervisor, Dr. Rita Irwin is the person who believed in me. She not only said that my life is art itself but also said that I am an a/r/tographer. I live my life creatively said Dr. Carl Leggo, I as an artist whose research is to contemplate life through the experiences of memories in order to teach, inform and share how I live in this world. I have always been interested in relationships between strangers and how we trust each other especially in difficult situations and outside of our comfort zones. In this paper, I share one of my creative practices, hair cut performance, which raises questions to all of us about how it is to trust or not trust others through acts of art.

Author Biography

  • Yoriko Gillard, University of British Columbia, Capilano University

    Yoriko Gillard is an artist, poet, researcher and teacher. She is a Ph.D. student in Language and Literacy Education at UBC teaching Japanese at Capilano University, BC. Yoriko uses her creativity to communicate with society to think about life together. She has been researching how creative communication helps people understand each other reciprocally during periods of hardships. Her current research initiatives include a HEARTH Project: hear/heart/art/earth and KIZUNA (Bond) activities. Her interests in humanity have led to actively organizing fundraising events to support victims of tragic events that took place in Japan March 11, 2011 (Great East Japan Earthquake). Yoriko’s socio-cultural activities extend to international communities that have been connecting people of different cultures.

References

BERGER, J. Ways of seeing. NY: Penguin, 1972.

EISNER, E. W. The enlightened eye: qualitative inquiry and the enhancement of educational practice. Upper Saddle River, NJ: Merrill, 1998.

GILLARD, Y. “ART”. In the Ubyssey, 2010. Retrieved from http://ubyssey.ca/culture/making-the-cut/

GILLARD, Y. “ART” and Caught in the Middle. In Schema Magazine, 2010. Retrieved from http://schemamag.ca/2010/08/20/caught_in_the_middle_aug_23-27/#.WTZG34XG07B

GILLARD, Y. Intercultural ART&Process of art-making [photograph]. InVASA (Visual Arts Students’ Association) monthly newsletter, vol. 1, n. 8, 5, 2011. Retrieved from http://www.ahva.ubc.ca/eventsDetails.cfm?EventID=979&EventTypeNumID=3

IRWIN, R.; BEER, R.; SPRINGGAY, S.; GRAUER, K.; XIONG, G.; BICKEL, B. The Rhizomatic Relations of A/r/tography. Studies in Art Education. vol. 48, n.1, p. 70-88, 2006. Retrieved from http://www.jstor.org.ezproxy.library.ubc.ca/stable/25475806

LEGGO, C. Pedagogy of the Heart: Ruminations on Living Poetically. The Journal of Educational Thought (JET) / Revue De La Pensée Éducative. vol. 39, n.2, p. 175-195, 2005.

Retrieved from https://acurriculumjourney.files.wordpress.com/2014/04/leggo2005-pedagogy-of-the-heart-ruminations-on-living-poetically.pdf

_____. What is a poem good for? 14 Possibilities. Journal of Artistic and Creative Education. vol. 5, n.1, p. 32”“58, 2011.

_____. 29 Ways of Looking at the Oblique in A/r/tography. Visual Arts Research. vol. 38, n. 2, p. 1-5, 2012.

LEGGO, C. Narrative inquiry: Attending to the art of discourse. Language and Literacy. vol. 10, n. 1, 2008. Retrieved from http://ezproxy.library.ubc.ca/login?url=http://search.proquest.com.ezproxy.libraryubc.ca/docview/1428562360?accountid=14656

Published

2017-12-02

Issue

Section

III. Experiências em visualidades

How to Cite

I Hair You: creative acts as a way of communication. (2017). Revista VIS: Revista Do Programa De Pós-Graduação Em Artes Visuais, 16(2), 181-200. https://doi.org/10.26512/vis.v16i2.20660