O Keroncong Tugu na Pele de Portugueses e de Betawis
DOI:
https://doi.org/10.26512/museologia.v6i11.17739Keywords:
Keroncong Tugu, Mardijkers, Betawi, performance, identityAbstract
In Indonesia, the song Keroncong Tugu originates from a place in the north of Jakarta popularly known as 'Aldeia Portuguesa' from Tugu. The ascendants of the people of Tugu were mainly mardijkers (freed slaves). Based on ethnographic data collected in field work, this article aims to explore the relationships between the Tugu people and the Betawis, the indigenous population of Jakarta, who
inhabited Batavia colonized by the Dutch, concentrating on their clothing and performing arts. The last part of this paper deals with the recent development of Portugal-
-Indonesia relations. Taking into account the concept of "cultural performance," outlined by anthropologist Milton Singer, this article demonstrates that the Tugu Keroncong is not only essential as a Tugu marker of identity, but also its performances challenge us to redefine the Tugu people as well as The Betawis, in the context of Jakarta. At the same time, we are given a broader perspective for understanding the interaction between identity and intercultural relations in postcolonial societies.
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