O poder de denúncia do cordel no cinema:
O romance do vaqueiro voador, de João Bosco Bezerra Bonfim e Manfredo Caldas
Abstract
O filme O romance do vaqueiro voador, de Manfredo Caldas, é construído a partir do cordel homônimo de João Bosco Bezerra Bonfim ”“ que, por sua vez, foi inspirado no documentário Brasília segundo Feldman, de Vladimir Carvalho ”“ com a finalidade de contar, denunciar e lembrar a tragédia que foi a construção de Brasília. O artigo pretende discutir algumas questões: Por que escolher como personagem um poeta vaqueiro para perambular pelos lugares da tragédia? Por que utilizar um cordel para fazer surgir um outro filme?
References
BONFIM, João Bosco Bezerra (2004). Romance do vaqueiro voador. Brasília, LGE.
DEBS, Sylvie (2005). “Cordel e cinema”. In: Anthologie du cinéma brésilien des anneés 60 aux anneés 80: Glauber Rocha et Nelson Rodrigues. Bobigny. p. 100-05.
MATTOS, Carlos Alberto (2008). Pedras na Lua e pelejas no Planalto, Vladimir Carvalho. São Paulo, Imprensa Oficial. p. 216.
MELO NETO, João Cabral (1955). Morte e vida severina <http://www.culturabrasil.org/joaocabraldemelonetoo.htm.>
ROCHA, Glauber (1981). “Uma estética da violência”. In: Revolução do cinema novo. Rio de Janeiro. Alhambra/Embrafilme. p.28-33
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