About Flights, Blows and Voices: The Orides Fontela’s Poetic “(Anti)genesis”
DOI:
https://doi.org/10.1590/2316-40186113Keywords:
Orides Fontella, poetic criticism, poetic language, rhythmAbstract
This work aims to analyze the ontological status of poetic language, underpinned by a particular rhythm, based on the appreciation of two poems written by Orides Fontela: “Gênesis” (Helianto, 1973) and “Antigênesis” (Rosácea, 1986). Therefore, we will use Henri Meschonnic (2006) and Paul Valéry (2007) considerations concerning the formalization of poems as genuinely critical, scriptural objects of language, of themselves and of the world.
References
AGAMBEN, Giorgio (2002). O fim do poema. Tradução de Sérgio Alcides. Cacto, São Paulo, n. 1, ago.
BÃBLIA (2006). Bíblia de Jerusalém. São Paulo: Paulus.
FONTELA, Orides (2015). Poesia completa. Organização de Luís Dolhnikoff. São Paulo: Hedra.
LOPES, Marcos Aparecido (2008). O canto e o silêncio na poética de Orides Fontela. Ipotesi, Juiz de Fora, v. 12, jul./dez.
MESCHONNIC, Henri (2006). Linguagem ritmo e vida. Tradução de Cristiano Florentino. Belo Horizonte: Fale/UFMG.
VALÉRY, Paul (2007). Variedades. Tradução de Maiza Martins de Siqueira. São Paulo: Iluminuras.
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