A TOPOLOGIA IMAGINÁRIA NAS OBRAS DE ARTEMÍDIA: HABITAR ESPAÇOS RIZOMÁTICOS
DOI:
https://doi.org/10.18830/issn2238-362X.v6.n1.2016.08Keywords:
Imaginary topology, Media art, Dwelling, Rhizome, ReverieAbstract
On the basis of a dialogue among the rhizome concepts in Deleuze and Guattari, to Dwell (be-in) in Heidegger and reverie in Bachelard, we propose in this paper to understand how media art instalations are a hybrid space between visible images and mental images, between light and shadow, and between real and virtual. This hybridity is a unique and subjective experience, it dialogues with individual experiences and memories of each participant who runs across such instalations and thus complete its meaning. The imaginary topology that is formed there involves an interaction that starts from the perception of the different states of consciousness through the redemption of reminiscent images in memory processes, as advocated by Merleau-Ponty.
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