No. 22 (2023): Between Media: Dramaturgy and Translation

DOI: https://doi.org/10.26512/dramaturgias22

Published: 2023-05-16

Apresentação

• Introduction

  Marcus Mota

  3-5

  • pdf (Portuguese)

Revista Completa

• All papers

  Revista Completa

  • pdf (Portuguese)

Dossiê

• Dossier between media: Dramaturgy and Translation. Presentation

  Anna Palma & Tereza Virgínia Ribeiro Barbosa

  11-14

  • pdf (Portuguese)

• Dossier between media: Dramaturgy and Translation. Presentation

  Anna Palma, Tereza Virgínia Ribeiro Barbosa et al.

  15-128

  • pdf (Portuguese)

• Dossier between media: Dramaturgy and Translation. Dario Fo, the Master: three days at the Paolo Grassi Academy

  Marisa Pizza; Anna Palma

  15-46

  • PDF (Portuguese)

• Dossier between media: Dramaturgy and Translation. Transcriação em pandemia: o processo de criação da obra autoral “Amanheci Minha Aurora”

  Alice Mesquita

  47-64

  • PDF (Portuguese)

• Dossier between media: Dramaturgy and Translation. Imaginações sobre a tradução dramatúrgica

  Guilherme O. Mello

  65-81

  • PDF (Portuguese)

• Dossiê entre mídias: Dramaturgia e Tradução. A narração oral de Guimarães Rosa: do papel para a voz

  Maria Elisa Pereira de Almeida

  82-94

  • PDF (Portuguese)

• Dossiê entre mídias: Dramaturgia e Tradução. Adaptación teatral, traducción literaria o transposición cultural: cierta Pasión según G.H en Argentina

  Maria Fernanda Gárbero

  95-110

  • PDF (Spanish)

• Dossier between media: Dramaturgy and Translation. From the proscenium to the comic strip, Orestes in comics

  Piero Bagnariol, Tereza Virgínia Ribeiro Barbosa

  111-128

  • PDF (Portuguese)

Documenta

• Mâney (2023). Documents from a creative process

  Marcus Mota & Flávio Café

  129-178

  • pdf (Portuguese)

Huguianas

• Hugo Rodas: It's time to stop entertaining audiences. Interview

  Hugo Rodas & Kátia Borges

  179-186

  • pdf (Portuguese)

Textos e versões

• The Scavengers: Henry Becque

  Carlos Alberto da Fonseca

  187-319

  • pdf (Portuguese)

• Composition for Films. By Theodor Adorno & Hanns Eisler. Last part

  Marcello Amalfi

  320-357

  • pdf (Portuguese)

• Blue Heart: Caryl Churchill

  Fernando Pinheiro Villar

  358-422

  • pdf (Portuguese)

Ideias e críticas

• A Cabinet of Curiosities: Bad Godots and Lucky’s Brain Science

  Stanley Gontarski

  423-461

  • pdf

• The Diva between Myth and Truth: Around Maria by Callas by Tom Volf

  João Pedro Cachopo

  462- 482

  • pdf (Portuguese)

Meetings

• Introduction Dossier Greco-Roman Music and Performance and their Resonances

  Roosevelt Rocha

  483-486

  • pdf (Portuguese)

• Singing with the Muses: new paths into ancient Mousikē

  Tosca A.C Lynch

  487-522

  • PDF

• O poeta-músico Anacreonte e a política dos prazeres e do bem estar

  José Roberto de Paiva Gomes

  523-537

  • PDF (Portuguese)

• Olympian Ode 6: Approach to me- tric-prosodic analysis “encountering citizens without envy in desired songs” (O. 6.7, ἐπικύρσαις ἀφθόνων ἀστῶν ἐν ἱμερταῖς ἀοιδαῖς;)

  Facundo Bustos Fierro

  538-553

  • PDF (Spanish)

• Dioniso y el elemento femenino. La música y la danza arriban a la ciudad

  María Cecilia Colombani

  554-561

  • PDF (Spanish)

• Aristoxenus of Tarentum and the fragments of his works dealing with music: introductory discussion and translation of selected fragments

  Roosevelt Rocha

  562-577

  • PDF (Portuguese)

• Ut planipedi saltanti – Gaius Gracchus’ flute

  Sergio Antonini

  578-598

  • pdf (Spanish)

• What musical instrument was the nablas?

  Fábio Vergara

  599-614

  • pdf (Portuguese)

• Secular vocal music in Salvador in the 18th and 19th centuries: Circulation, changes and permanence

  Pablo Sotuyo Blanco

  615-650

  • pdf (Portuguese)

Metricae

• The Rhythm of the Muses

  A.P. David

  651-659

  • pdf

• Saltando discere modos. An approach to ancient rhythmic through music and dance

  Sergio Antonini

  660-683

  • pdf (Spanish)